Freya klein peter marino architect12/19/2023 ![]() GAIL PRIEST (DIRECTOR) is a sound artist and writer based on Dharug and Gundungurra land (Katoomba, NSW). ![]() Credits include: St Kilda Festival, Bless Your Blak Arts Festival, Australasian World Music Expo, International Symposium on Electronic Art, Yirramboi First Nations Arts Festival, Science Gallery London, Chunky Move, Performance Space New York, The Melba Spiegeltent, Melbourne Town Hall Grand Organ, Sydney Myer Music Bowl, Sydney Dance Company, and Melbourne’s Flash Forward. Naretha has worked with leading Australian companies and First Nations initiatives, flagship festivals and events, has toured internationally and won several awards. An established artist and music producer, she is a seasoned industry professional with extensive experience across a dynamic range of appointments. NARETHA WILLIAMS (DIRECTOR) is an accomplished practitioner in the Australian creative industries sector. ![]() Leana is a board member of the Australian Contemporary Opera Company and has held board positions with Lawyers for Animals, an organisation dedicated to improving the welfare of animals through education and law, and Right Now, an independent not-for-profit mediation organisation focusing on human rights issues in Australia. ![]() Leana currently studies under the direction of Loris Synan OAM. She received a university scholarship to complete her honours and, in her final year of study, was awarded the Horace Keats Memorial Prize for Excellence in Vocal Performance. Leana holds an AMusA and a BMus (Hons) majoring in vocal performance. At the Bar, Leana practices in commercial and public law with a focus on banking and financial services regulation, corporations and securities, insolvency, trade practices and human rights. LEANA PAPAELIA (SECRETARY) is a barrister at the Victorian Bar and a soprano. Along the way, he has helped countless singers, actors, and even clowns get their taxes in order – no laughing matter! When not crunching numbers, you can find Mark sitting back with a fine drop of Scotch whisky, soaking up some even finer tunes. He is currently Management Accountant at ACMI, having previously worked in a similar role at Film Victoria. MARK NOLEN (TREASURER) is a Certified Practising Accountant with extensive experience in the creative industries sector. His book Artistic Research in the Future Academy was published by Intellect/University of Chicago Press in 2017, and he is on the Editorial Board of the Journal for Artistic Research. We extend our respects to their Elders past and present, and to all First Peoples.ĭANNY BUTT (CHAIR) is Senior Lecturer in Interdisciplinary Practice at Victorian College of the Arts, University of Melbourne, where he is also Graduate Research Convenor for Design and Social Practice. We acknowledge the Wurundjeri Woi Wurrung as the Traditional Owners and sovereign custodians of the Country on which we practice. We want to echo beyond local conversations, problems, debates and questions, to reverberate across media and disciplines, and so to sound out new discourses about the audible world, and beyond. Liquid Architecture is curatorially driven and our methodology embraces research, collaborations and imaginations. ![]() To do this, we host experiences at the intersection of contemporary art and experimental music, supporting artists to produce performances and concerts, exhibitions, talks, reading groups, workshops and recordings in art spaces, music venues and other sites. Our program stages encounters and creates spaces for sonic experience, and critical reflection on sonority and systems of sonic affect. Active since 2000, Liquid Architecture is a Naarm (Melbourne) based organisation supporting experimental, interdisciplinary and critical work addressing sound and listening in context. ![]()
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